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Fictional graphic symbol and protagonist of the Rurouni Kenshin manga

Himura Kenshin
Rurouni Kenshin character
Tomo1-1.jpg

Himura Kenshin on the cover of Rurouni Kenshin Kanzenban Volume one
Starting time appearance Rurouni Kenshin Act ane: Kenshin ● Himura Battōsai
Created by Nobuhiro Watsuki
Portrayed by Takeru Satoh
Voiced past Japanese
Megumi Ogata (drama CD)
Mayo Suzukaze (anime) [i]
English
Richard Cansino (anime) [ii]
J. Shanon Weaver (OVAs, New Kyoto Arc) [3]
Micah Solusod (live-action films)
In-universe information
Alias Hitokiri Battōsai ( 人斬り抜刀斎 )
Shinta ( 心太 ) (birth name) [4]
Relatives Yukishiro Tomoe (late married woman)
Yukishiro Enishi (ex-blood brother-in-law)
Kamiya Kaoru (wife)
Himura Kenji (son)
Affiliations Ishin Shishi (formerly)

Himura Kenshin ( 緋村 剣心 ), known as Kenshin Himura in the English-language anime dubs, [5] is a fictional character and the protagonist of the manga Rurouni Kenshin created by Nobuhiro Watsuki. Kenshin'southward story is gear up in a fictional version of Japan during the Meiji catamenia. Kenshin is a sometime legendary assassin known every bit "Hitokiri Battōsai" ( 人斬り抜刀斎 ) [note 1] , more properly named Himura Battōsai ( 緋村抜刀斎 ). At the end of the Bakumatsu, he becomes a wandering swordsman, now wielding a sakabatō ( 逆刃刀 , literally "contrary-blade sword")—a katana that has the cutting edge on the inwardly curved side of the sword, thus being about incapable of killing. Kenshin wanders the Japanese countryside offering protection and help to those in demand as atonement for the murders he in one case committed as an assassinator. In Tokyo, he meets a immature woman named Kamiya Kaoru, who invites him to live in her dojo, despite learning nigh Kenshin'due south past. Throughout the series, Kenshin begins to establish lifelong relationships with many people, including ex-enemies, while dealing with his fair share of enemies, new and old.

When creating Kenshin, Watsuki designed him to be the physical opposite of Hiko Seijūrō, a character that appears in his first one-shot manga, "Crescent Moon in the Warring States"; a grapheme with the same name appears in Rurouni Kenshin as Kenshin's swordsmanship teacher. As a effect, he was given a virile appearance with long cherry-red hair every bit well as cantankerous-shaped scar in his face. He was likewise based on the hitokiri Kawakami Gensai. In Japanese, Kenshin has been voiced by Megumi Ogata for the drama CDs and Mayo Suzukaze for the blithe adaptations. In the live-action films he was portrayed by Takeru Satoh. For the English dubs of the series, Richard Cansino voiced him in the beginning anime, J. Shanon Weaver replaced him for original video animation (OVA), and the duology film New Kyoto Arc. Micah Solusod did the dub for the alive-action moving-picture show trilogy.

Kenshin's graphic symbol was well received by fans, with his belongings the superlative spot in all reader popularity polls for the serial. Critics of the series praised his strong personality and backstory which most critics plant appealing. However, though some complained near his development during the OVA serial; while his role in the prequel OVAs were praised, his office in the anime-only sequel OVA series resulted in criticism by various critics including Watsuki himself. Satoh's acting in the live-activity film received positive comments due to how he fits the character as well as his fight choreography. A variety of collectibles based on Kenshin have been created, including figurines, key chains, plushies, and replicas of his sakabatō sword.

Creation and conception [ edit ]

Kawakami Gensai served as a model for Kenshin'south character.

Manga author Nobuhiro Watsuki discovered and used the story of Kawakami Gensai, a hitokiri ( 人斬り , literally "manslayer") executed by the Meiji Authorities. [ix] Watsuki enjoys drawing Kenshin due to how he tends to cede himself for others. While writing the series, once he thought Kenshin should recall more about his future since he is more connected to his by. He too stated he would like to be equally Kenshin but he does not believe their lives' style match. [x]

During the evolution of the series' airplane pilot chapter, Rurouni, Meiji Swordsman Romantic Story, Watsuki and his editor argued over Kenshin's speech patterns, settling for a "slangy" ane. For the terminal version of the commencement Romantic Story, Watsuki adapted the dialogue; in his view, he made Kenshin audio "more than as I prefer him now". Nevertheless, Kenshin was concerned about how Kenshin's way abruptly changed when facing his opponent. [11] Watsuki added Kenshin's trademark "oro" ( おろ ) as a placeholder to exist an expression of the English spoken language disfluency "huh". Watsuki notes that he was surprised at how well it caught on, and how much he ended upwards having Kenshin use the audio during the series. [10] Watsuki also planned to brand Kenshin more 30 years old; his editor commented that information technology was strange that the main character of a manga for teenagers to be of such an age, so he instead fabricated him 28 years old. [12]

Watsuki based most of Kenshin'due south abilities on a real swordsman of the Tokugawa flow named Matsubayashi Henyasai  [ja], who was skilled in acrobatic techniques. [13] However, i of Kenshin's moves where he stops an enemy's flamethrower by rotating his sword received multiple complaints with Watsuki admitting the move as somewhat out of place and "non really organic" to his earth. [14] By early publication of Rurouni Kenshin, Watsuki was unsure whether or non Kenshin and Kamiya Kaoru would become lovers in futurity capacity. [xv] Sagara Sanosuke was created to be Kenshin's best friend who would dial him order to make him retain his sophistication. However, Watsuki did non call back the idea worked as much as possibly. [10] For the final fight between Kenshin and Shishio, Watsuki admitted he expressed more joy in cartoon Shishio than Kenshin. [16] During this arc and mostly the final fight between Kenshin and Shishio'southward fight Watsuki kept listening to the song "In The Blue Heaven" from the video game Virtual On ; the song's title was used in the final chapter of the Kyoto arc. Additionally, the concluding shot of Kenshin returning to Kaoru's dojo was inspired past the final shot of the Rurouni Kenshin anime'due south offset opening theme:"Sobakasu" by Judy and Mary. [17]

In the side by side and concluding arc of the manga, the story took a darker tone as most of the characters believed Kaoru was killed past Yukishiro Enishi which fabricated Kenshin question his ain way of living and escape to a village of wanderers. Watsuki did not enjoy malaise in Kenshin and so his friend Myōjin Yahiko took the place as the series' protagonist until Kenshin recovered. [18] In order to make Kenshin recover, Watsuki introduced Tomoe'due south father, who is merely referred as "Geezer", who assists him in finding an answer to atone for his sins. [19] In one case Kenshin recovered, he runs back to the city in society to save Yahiko from Enishi's former comrade, Kujiranami Hyōgo. The fight was originally planned to last longer than the one-chapter shot but due to difficulties in drawing explosions Kujinarami made with his weapons, the fight ended with Kenshin cutting Kujinarami's weapon. [20] In this arc's climax, Watsuki kept listening to the vocal "Hurry Get Round" by late musician hide which felt it suited the relationship between Enishi as well as Kenshin just in his darker persona. [21] The writer also commented he would like to have given both Kenshin and Enishi's characters a bigger contrast. [ten] A reader besides asked Watsuki whether Kenshin could defeat his rival Saitō Hajime since they never got a last duel. Watsuki responded, proverb the two are equally matched but the result might depend whether or not Kenshin had something to protect. [ten]

Design [ edit ]

Co-ordinate to Watsuki, when he found that Kawakami maintained a duty to his expressionless comrades, he decided to create the championship character. Since Watsuki'southward debut work independent a alpine, blackness-haired man in "showy" armor, he wanted to brand a graphic symbol "completely opposite" to the debut character; the new character concluded up "coming out like a girl". According to Watsuki, he used "no real motif" when creating Kenshin and placed a cross-shaped scar on his face "not knowing what else to do." [nine] During his fight against Shishio Makoto's army, Kenshin is given a new sword with a sheath made of woods. Though it is more difficult to describe, Watsuki decided to redesign the sword to make information technology look like the get-go one Kenshin had in the series. [22] At the end of the series, Kenshin appears with short pilus. Initially, Watsuki had planned to brand his hair shorter before the end; even so, he found this to be like to the character Multi in To Heart . Additionally, Himura Kenji was introduced in the finale as the son of Kenshin and Kaoru; even though the character was "cliché" Watsuki felt that Kenji had to appear. [23]

When the live-activeness of the manga was made, Watsuki had several ideas most Kenshin's mind about his early appearances in the series. This resulted in the manga reboot Rurouni Kenshin: Restoration where Kenshin's characterization was expanded by the writer who thought in retrospective about what he could add together to him. He also wrote a prequel chapter to the original series which helped the readers to understand why Kenshin would stay in Kaoru'south dojo. [24] He challenged himself to limited Kenshin'due south inner feelings. Watsuki compared Kenshin'due south role in the original manga to that of Kōmon in Mito Kōmon or Yoshimune's in Abarenbō Shōgun , where the supporting characters congenital the drama and he was the hero who would defeat the villains. This made it easy to express the thoughts of the surrounding characters but not Kenshin's, then he wanted to "dig deeper" into Kenshin this fourth dimension. It turned out harder than he imagined. Although drawing it was non difficult, when he tried to make information technology entertaining the story got gloomier due to Kenshin'southward regrets. Past affiliate four he got worried it would be a repeat of the Jinchū Arc of the original manga. This is when he gave up earthworks deeper into Kenshin'southward thoughts. [25]

Watsuki tried expressing more than of Kenshin'due south inner feelings in Restoration; a man who brought well-nigh a peaceful new era tin can not find his place because of the acts he committed in the past. He tried expressing this with the "pool of blood" theme. The author said this version of the character seems slightly more immature than the original because he is more reserved and excitable; "perhaps he isn't too hero-like." Watsuki changed the mode Hiten Mitsurugi-ryū and its techniques are written purely for fun. The editorial office even got a telephone telephone call pointing this out. The most noticeable alter in his appearance is the addition of a white scarf, "scarf = hero." Watsuki also inverse his cross-shaped scar; leaving information technology white for Kenshin, but shading information technology blackness when his Battōsai persona takes over. The author said considering of the mode he draws now, he struggled with Kenshin'due south hair, unable to get the original bushy feeling it had until the end. [26]

In the showtime Rurouni Kenshin kanzenban , published in Japan in July 2006, Watsuki included a draft folio featuring a redesign of Kenshin'due south character. To make his X-shaped scar more notable, Watsuki fabricated it long enough to cantankerous his olfactory organ. Kenshin's hair is tied in 2 tails, which are flowing to make him look younger, and shorter, and less androgynous. Watsuki too added a Habaki to Kenshin'south sword to brand it easier to describe by simplifying its construction, while as well emphasizing strength. [27] Kenshin's hitokiri wait was too redesigned slightly, by making his clothes more worn and giving him Yukishiro Tomoe's neck scarf. [28]

Actors [ edit ]

Watsuki received messages from fans describing Megumi Ogata's audiobook voice as a "good fit" for Kenshin. Watsuki said that he imagined Kenshin's vocalism to exist "more neutral". [29] The fact that the audiobook phonation actors, especially Ogata and Tomokazu Seki, who portrayed Sanosuke, did not vocalisation their respective roles in the anime disappointed Watsuki. [30]

In the anime adaptation of Rurouni Kenshin, Watsuki'southward designs were combined with the vocalization talents of vocalization actress Mayo Suzukaze. She said that she started feeling like Kenshin afterwards years of work as his voice, but says that providing the vocalisation for his character was one of her best experiences. [31] In producing the English dub version of the series, Media Blasters considered following conform, with Mona Marshall considered a finalist to voice Kenshin. Richard Hayworth was eventually selected for the part, giving Kenshin's grapheme a more masculine vocalism in the English language adaptation. Marshall was too selected to phonation the younger Kenshin during flashback scenes. Clark Cheng, Media Blasters dub script writer, said that localizing Kenshin'due south unusual voice communication was a hard process. His employ of de gozaru and oro were not only character trademarks that indicated his state of listen, merely important elements to the story. However, neither is directly translatable into English, and in the end the company chose to supercede de gozaru with "that I did," "that I am," or "that I do." Kenshin'southward signature oro was replaced with "huah" to simulate a "funny sound" that had no real pregnant. [32] Daryl Surat of Otaku USA said that the grammar in Kenshin's dialogue in the Media Blasters dub and subtitles resemble the grammar in the dialogue of Yoda, a grapheme in Star Wars . [33]

In the live-action trilogy of the serial, Kenshin was played Takeru Satoh. In casting Satoh, director Keishi Ōtomo said the actor was a good fit for the character, citing their physical similarities. [34] Producer Shinzō Matsuhashi shared similar feelings as Ōtomo. During the making of this film, both Watsuki and his married woman institute Satoh equally an ideal actor him. [35] Watsuki was surprised by Satoh's piece of work likewise as the special effects in the beginning film which made Kenshin'south graphic symbol realistic. [36] For the Kyoto duology films, Ōtomo said he did not take to put much communication to Satoh as his acting in the first moving-picture show attracted multiple positive reactions by the staff and the audience. He then stated "Even without saying this or that from the side, he created an image of Kenshin, including his behavior, swordplay, and speech, through the necessary preparation and hard work. So I didn't worry at all". [37]

During an interview, Satoh said Rurouni Kenshin was 1 of the first manga he read to the point he would play sword-fights with his friends. Additionally, once he was cast as Kenshin, Satoh started intense swordsmanship training. [35] Satoh said he liked Kenshin's graphic symbol to the point of enjoying role in the iii films. However, the player expressed pressure in doing the office as a upshot of having to take function in multiple fighting scenes. Nevertheless, Satoh said he enjoyed Kenshin'due south lines due to the impact they have on most characters, most notably his enemies. Due to the Kyoto films showing a darker characterization of Kenshin as he struggles against different strong rivals, Satoh likewise said his work became more than challenging. Nonetheless, he found it interesting. A scene that Satoh enjoyed was Kenshin's fight against Sawagejō Chō due to the fact Kenshin is forced to assail his enemy even though he does not know his weapon is deadly which goes confronting his morals; as a upshot, Satoh briefly showed Kenshin's hitokiri side for a brief moment. The actor said he discussed this scene with the director who pleased with the result. Kenshin's strongest technique, the Amakakeru Ryū no Hirameki, was Satoh's favorite move as he likes its meaning. While Kenshin shouts his attacks' names in both manga and anime, Satoh instead decided to say the names after performing those moves. [38]

Appearances [ edit ]

In Rurouni Kenshin [ edit ]

Himura Kenshin, born Shinta ( 心太 ) is a legendary sometime assassinator. He is a peerless swordsman who practices the Hiten Mitsurugi-ryū ( 飛天御剣流 , literally "Flight Honorable Sword Mode"), a fictional aboriginal sword art based on Battōjutsu, that enables him to exercise superhuman speed and reflexes, foresee his opponent's movements in battle, likewise as perform many powerful sword techniques. [39] Nigh of his techniques were originally intended to be lethal, just Kenshin has since modified the use of these techniques in accord with his vow never to kill. To this end, he fights using his sakabatō (a reverse-edge sword). [39] Afterward finishing his job as an assassinator in the Ishin Shishi, Kenshin assumes the life of a wanderer. Ten years after the Revolution, he arrives in Tokyo, where he meets Kamiya Kaoru. She invites him to stay in her dojo fifty-fifty after she discovers that Kenshin is the "Battōsai". [39] Kenshin wants to protect every individual from danger without harming others. [40] Formerly known as "the strongest hitokiri," Kenshin is the master target of many old enemies and people who want to gain his title. Thus, he avoids letting others get too close to him for their ain protection. Yet, he eventually begins to rely on his friends, allowing them to fight alongside him. [41]

During his stay in Tokyo, Kenshin establishes lifelong relationships with many people, including ex-enemies, such equally the quondam Shinsengumi fellow member Saitō Hajime. [42] Saitō's arrival is a test ex-Ishin Shishi Ōkubo Toshimichi made in order see Kenshin's ability to come across if he can defeat Shishio Makoto. Shishio is the vicious, once-successor to Kenshin's position every bit Chōshū's hitokiri, masterminds a motility seeking to overthrow the Meiji Regime, Kenshin leaves Tokyo to cease him. [43] To defeat such a foe, Kenshin is forced to resume his training and mend his relationship with his teacher Hiko Seijūrō, who taught and took care of him as a child. [44] He learns the Kuzu-ryūsen ( 九頭龍閃 , lit. "Ix-headed Dragon Strike"), which deals ix simultaneous strikes to the fundamental targets of swordsmanship. [44] The Kuzu-ryūsen, yet, is a part of the exam used for the initiation in learning his strongest technique: Amakakeru Ryū no Hirameki ( 天翔龍閃 , literally "Heavens Gliding Dragon Wink"; Viz translation - "Dragon Flight of Heaven"), a battōjutsu that surpasses the speed of the Kuzu-ryūsen. [45] [46] Even if the technique is defeated, it tin can generate a vacuum in its wake and sucking the opponent in; every bit this happens, the trunk is spun around for a second stronger strike. [43] Throughout the training, Kenshin increasingly wants to survive to any gainsay so that Kaoru will not be shocked by his decease. [47] Later on finishing his training, Kenshin's friends reunite with him and help him defeat Shishio and his army. [48]

Months afterwards, a man known every bit Yukishiro Enishi starts attacking all the people Kenshin meets as an human action of revenge for the death of his sister Yukishiro Tomoe. [49] At this point, information technology is revealed that Kenshin was married to Tomoe in the Bakumatsu, merely accidentally killed her while trying to rescue her from a grouping of assassins. [50] When Enishi learns of Kenshin's feelings towards Kaoru, he sets out to kidnap her. He succeeds and leaves behind a professionally made decoy of Kaoru with a sword in her centre, making everyone believe that she has been murdered. [51] Kenshin falls into a astringent depression and runs off to a village of outcasts to mourn. [52] After a while, he is forced to stand up and fight upon learning one his friend is in danger, returning to his former cocky in the procedure. Meanwhile, his friends find Kaoru is alive. The group goes to rescue her on Enishi's isle. [53] A battle between Kenshin and Enishi follows. When Kenshin wins, he and Kaoru return dwelling house. [54] Afterwards, Kenshin learns that since the Hiten Mitsurugi-ryū is only suitable for a wide-framed muscular build like that of Seijūrō's, his body will eventually begin to deteriorate and he will soon be unable to use it once more. [42] Five years subsequently, Kenshin is married to Kaoru and has a son named Kenji. After an come across with Kaoru'due south student Myōjin Yahiko, Kenshin gives his sakabatō to him equally a gift for his coming-of-age. [55]

In other media [ edit ]

Kenshin first appeared in ii capacity of Rurouni, Meiji Swordsman Romantic Story, the pilot chapters of the manga, in which he arrives in Tokyo and defeats several groups of villains attacking families. In these stories, Kenshin is given a like personality to the one he has in the series, but his name is not mentioned. [xi] [56] Post-obit the original series' ending, Watsuki wrote two shorts where Kenshin makes brief appearances; in Yahiko no Sabato Kenshin and Kaoru entrust Yahiko with taking care of a dojo whereas in Haru ni Sakura he reunites with all his friends and learn most the place where Saito left and learn of his friend Sagara Sanosuke through a alphabetic character subsequently he left Japan. [eighteen] [57]

In the 1997 movie Rurouni Kenshin: The Movement Picture , Kenshin meets a samurai named Takimi Shigure, who tries to overthrow the Meiji Authorities and avenge the deaths of his family unit during the Bakumatsu. Kenshin encounters Shigure and defeats him to avoid the starting time of a war while avenging one of his friends killed by Kenshin in the past. Yet, he fails to bring his fight give a peaceful resolution every bit Shigure's own men betray him and several of his soldiers die alongside him. [58]

In the OVAs of the series, Rurouni Kenshin: Trust & Betrayal from 1999, Kenshin's life in the Bakumatsu is explored. [59] In Rurouni Kenshin: Reflection released in 2001, as time passes, Kenshin becomes tortured with guilt for leading a happy life after such a destructive past. He decides to wander again, and Kaoru strongly supports him, promising to welcome him dwelling with a smiling and their kid. Kenshin eventually becomes ravaged past an unknown disease. Yet, he decides to assist in the Offset Sino-Japanese War every bit he had promised the Meiji Government. After the war's end, Sanosuke discovers a gravely injured Kenshin on the shore, who has lost his memory and cannot return to Japan. Sanosuke arranges for Kenshin'southward return to Tokyo and Kaoru. The two finally run across, and Kenshin collapses into her arms as he clutches her. Kaoru then notices Kenshin's scar has faded abroad, signifying his decease. [iii] Subsequently watching the terminal OVA, Nobuhiro Watsuki was quite unhappy with how the story ended, saying that "Kenshin went through so much crap and deserved a happy catastrophe." [ten]

Kenshin likewise appears in other animated retelling of the serial titled New Kyoto Arc from 2011 and 2012. [lx] [61] In the live-activeness picture show trilogy, Kenshin is portrayed by Takeru Satoh. [62] The beginning film retells Kenshin's arrival to Tokyo while making new allies and enemies whereas the second and the tertiary ones from 2014 show his fight against Shishio'south forces. [63] Kenshin is a playable graphic symbol in all of the Rurouni Kenshin video games, [64] [65] equally well as the crossovers Jump Super Stars [66] and Jump Ultimate Stars . [67] In June 2013, Kenshin was confirmed to be a playable character alongside Bleach 's protagonist Ichigo Kurosaki in J-Stars Victory Vs for the PlayStation 3. [68] In celebrating the 50th ceremony of the magazine Weekly Shonen Jump , a cardgame was developed past Bandai Namco Entertainment with Kenshin appearing as a character card. [69]

The manga'due south reboot, Rurouni Kenshin: Restoration, follows Kenshin's stay in Tokyo as in the original series. Subsequently attacking a drug dealer known every bit Takeda Kanryu, Kenshin becomes the target of many of his warriors. This leads to a fight against his one-time enemy Jin-eastward from the Shinsengumi who tries to encourage his hitokiri exist reborn by using Kaoru as a earnest and nearly killing her. However, as Kenshin is about kill Jin-e, Kaoru stops him; following Jin-e's suicide, Kenshin stays in Kaoru's dojo. Earlier the reboot, Watsuki also wrote a prequel affiliate where Kenshin meets a western doc during his years of wandering. [36]

In 2016, Watsuki wrote a sidestory named The Ex-Con Ashitaro in which Kenshin appears to save the young title character from a grouping of enemies. Shueisha later revealed Ashitaro is the prequel to an upcoming from Rurouni Kenshin: the Hokkaido Arc. [70] In the Hokkaido arc, Kenshin's grouping learns that Kaoru'due south father is alive and decide to go to Hokkaido to detect him. [71]

It was appear in Nov 2022 that Kenshin Himura along with Shishio Makoto would exist playable characters in the Weekly Shōnen Jump cross-over video game, Jump Strength, developed past Bandai Namco Entertainment. [72] Teppei Koike as well portrays Kenshin in the Kyoto arc musical and has expressed joy of doing it, having read the manga when he was younger. [73]

Reception [ edit ]

Popularity [ edit ]

Kenshin has been highly pop with the Rurouni Kenshin reader base of operations, having ranked first in every Weekly Shōnen Jump popularity poll of the series, ever with more than double the votes of the second place character. [46] [74] Two polls by the official Rurouni Kenshin anime featured Kenshin as ane of the series' almost popular characters. In the first, Kenshin was at the acme, while in the second, he placed second. His Battōsai incarnation was also fifth in the latter poll. [75] Kenshin has also been featured various times in the Animage 'southward Anime Grand Prix polls, ranking equally one of the most popular male anime characters. [76] [77] [78] In a Newtype poll in March 2010, Kenshin was voted the eighth about pop male person anime character from the 1990s. [79] An abundance of merchandise have been released in Kenshin's likeness including keychains, [80] action figures, [81] and plush dolls. [82] Since the manga was published, non-functional [83] and functional [84] sakabatō have been produced for purchase by collectors and fans. In a poll past Anime News Network, Kenshin was voted as the second best male person anime grapheme with long hair, existence surpassed by Edward Elric from Fullmetal Alchemist . [85] In 2014, IGN ranked him as the 5th greatest anime character of all time, saying that: "Although Kenshin's momentary lapses make him a consummate badass and ready the stage for some of the about epic sword battles ever animated, Kenshin always goes back to his sugariness persona one time the danger is gone." [86] Kenshin was also fifth in IGN's Superlative 25 Anime Characters of All Fourth dimension with writer Chris Mackenzie describing him as: "A archetype case of a archetype anime type, the peace-loving killing machine." [87] Kenshin's Amakakeru Ryū no Hirameki technique has ranked 3rd in a Japanese survey that featured the well-nigh pop moves in manga and anime. [88] In a poll past Anime News Network, he was voted as the height "guy". [89] In a Japanese TV special from August 2017, Kenshin was voted every bit the 16th "strongest hero" from the Showa Era as well as the 15th one from the Heisei Era. [90]

Disquisitional reception [ edit ]

Several publications covering manga, anime, video games, and other media have praised and criticized the character. Tasha Robinson from SciFi.com remarked "Kenshin'due south schizoid personal conflict between his ruthless-killer side and his country-bumpkin" side was a perfect way to develop proficient stories which was ane of the factors that made the series popular. [91] Marco Oliveier from the Nelson Mandela Metropolitan University said that the sakabatō symbolises Kenshin'south adjuration not to kill once again which has been constitute challenging past other warriors. [92] Megan Lavey from Mania Amusement highly praised Kenshin'due south characterization in the manga due to his seriousness as well how he intends to tell his friends his feelings contrasting some episodes from the anime where Kenshin is more than comical. Lavey likewise highly praised the fight betwixt Kenshin and Saito Hajime in the manga's seventh book and Kenshin'southward killing intent displayed confronting his rival. [93] Similarly, his showtime fight against Saito in the anime accommodation earned high praise by Anime News Network writer Mark A. Grey considering 1 of the all-time ones from the serial. [94] Amusement Weekly found comical how whenever Kenshin is not fighting he is doing the laundry or cleans the dojo which brings a light tone that appealed the writer. [95] T.H.E.Yard. Anime Reviews website criticized Kenshin'south super deformed appearance in comedy scenes challenge it does not suit the context of the character or the series. [96] Mania.com remarks that Kenshin has a "smartass" mental attitude in a review of volume 8; while they noted that is a common mental attitude in the anime that makes him expect out-of-graphic symbol. [97] Anime News Network'southward Mike Crandol praised Kenshin for beingness a character that all people bask watching due to his comedy scenes. [98] In About.com's Meridian 8 Anime Love Stories, Kenshin and Kaoru'southward relationship ranked 8th with Katherine Luther noting information technology is a "classic romance." [99] Serdar Yegulalp from ThoughtCo. also listed the serial as one of the "Best anime romances" with a bigger focus on Kenshin and Kaoru. [100] Bamboo Dong from Anime News Network highly criticized Kenshin in the OVA'southward retelling of the Kyoto arc for lacking all the development he faced in both the manga and anime of this arc. [101]

For Sony'due south OVAs of the franchise, there have likewise been multiple response. Matthew Anderson from DVD Vision Japan establish the series' title "Samurai X" unfitting for Kenshin equally the reviewer regarded the character as a hired killer rather than equally a samurai as seen across the prequel OVAs. [102] Rio Yañez from Animerica said 1 of the major themes of Trust is understanding the repercussions and after-effects murder can have, something that Kenshin has yet to comprehend though others have tried to betoken it out to him. [103] Mike Crando from Anime News Network highly enjoyed Kenshin's characterization in the prequel every bit he refers information technology every bit "information technology is a fascinating and emotional character written report in its own right" due to Kenshin'south character development across these four episodes from "an idealistic youth to a common cold-hearted killer, only to be redeemed through honey lost and the realization that swinging his sword is destroying his own life as well equally the lives of the people on the receiving stop". Additionally, the reviewer enjoyed the OVA's manager'southward cutting for showing more fights between Kenshin and Shinsenguimi, the special forces where Saito originated from. [104] Earl Cressey from DVD Talk found Kenshin as a "complex" character and said his human relationship with Yukishiro Tomoe might appeal the viewers. [105] Carlos Ross from T.H.East.G. Anime Reviews shared similar feelings and enjoyed the romance between Kenshin Tomoe despite its tragic upshot. [106] Yegulalp from ThoughtCo. besides listed the serial as one of the "All-time anime romances" with a bigger focus on Kenshin and Tomoe. [100]

Kenshin's development in the Rurouni Kenshin: Reflection OVA series has received negative reviews by many publications. Anime News Network too adds that in Reflection he "continues to be his sometime mopey cocky" and criticizes the fact that he never says "oro", [98] while IGN felt that some moments of the relationship between Kenshin and Kaoru were depressing. [107] While criticizing the characters' sorry decisions, Serdar Yegulalp from Well-nigh.com wondered whether the OVAs had to brand viewers accept Kenshin's death wish later on and then much fourth dimension of wandering and feeling a mortal disease. [108] Even so, some reviewers noted Kenshin's personality in the OVAs was one of the about circuitous ever to exist animated remarking on the fact that he tin not forget his bloody past, despite having a peaceful life. [109] Don Houston from DVD Talk noted the controversy between the fandom equally they refrained from treating Reflection as canon due to how tragic the life of Kenshin's family became. [110] Ridwan Khan from Animefringe shared similar feelings, only noted Kenshin had no new enemies to fight later on Enishi, leaving him with his disease story arc. [111]

Likewise the printed serial and its animated adaptations, there have been comments regarding Kenshin'due south role in the live-action trilogy where he is played past Takeru Satoh. Deborah Young from The Hollywood Reporter comically compared the character to Michael Jackson but praised his portrayal of swordsmanship. [112] Matt Schley from Otaku USA commented that Satoh did a good performance making Kenshin into likeable protagonist. [113] Both Nick Creamer and Ko Bribe from Anime News Network shared similar opinions, noting Satoh managed to adapt the character well. [114] [115] Schley again praised Satoh's role in the finale aslope other actors. [116] For the final movie, Creamer expressed that Satoh kept doing a fine work as acting as Kenshin, praising his battles like Immature. [117] While enjoying the final duel between Kenshin and Shishio Makoto, Hayley Scanlon from Britain Anime Network felt information technology took too much screentime to let supporting characters play a larger role in the finale. [118] Lito B. Zulueta from The Enquirer besides enjoyed the fight between Kenshin and Shishio, the actors, every bit well as how the graphic symbol of Kenshin has helped popularized the term of samurai in western culture. [119] For the live action film Rurouni Kenshin: The Legend Ends, David W from Neo criticized Kenshin's long training with his teacher simply however institute that in the film, Kenshin'southward vow of not killing anybody remains true. [120] For the 9th Asian Picture show Awards, Satoh was nominated in the "Best Actor" category for his portrayal of Kenshin. [121] In the Nippon Action Awards 2012, Satoh also won an laurels in the category "All-time Action Actor". [122]

Notes [ edit ]

  1. ^ Rendered as Battousai the Manslayer in the Media Blasters English anime dub, [5] as Battousai: The Slasher in the Sony English dub, [half dozen] and as The Unsheather on the Japanese kanzenban covers. The term " hitokiri " refers to an assassin and translates as "manslayer". Inside the Rurouni Kenshin universe "Battōsai" refers to someone who has mastered battōjutsu . [7] Assassins during the Bakumatsu adopted professional names; for instance Kawakami Gensai was known as Hitokiri Gensai. [8]

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External links [ edit ]

Anime Character With Silver Hair and Blue Eyes Big Hand

Source: https://en.wikipedia.org/wiki/Himura_Kenshin

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